Or . . . It's Great To Have Good Friends.
I could say A Moveable Feast, a memoir of Hemingway's Paris days in the 1920's, afforded me many insights, enabled me to learn a thing or two. The chief and most "duh" one would be the fact that I can now spell the author's name correctly.
No, there aren't two Ms in Hemingway. Who knew? (Don't answer that!)
I'm not much of a reader of books on the craft of writing or the writing life. But then, I've always needed to figure out much of life on my own so this doesn't surprise me or cause me dismay. However, I'm a firm believer that reading good writing: the classics and the top of your chosen genre, is the greatest teacher. Unfortunately, this method takes a great deal of time; fortunately, if you're a fiction writer, it's highly enjoyable!
However, A Moveable Feast enabled me to read a book on the writing life and learn from the writing as well. A lot of contemporary editors would have a field day with Hemingway's prose, and part of me smiles because we Christians want formulas to follow (sinner's prayer anyone?), rules to obey, steps to take to achieve our perceived goal. It's no different at Christian writer's conferences and in critiques. Shoot, I yack about POV, passive verbs and dialogue tags as much as anybody else. But despite his breaking of the rules (and maybe because of it!), Hemingway hurtles you through his prose, ushering you seamlessly into his world while still maintaining a unique style. My biggest concern with conferences and the same rules being touted over and over, is that a homogenization can and does occur, (if some of the critiques that pass through my hands at conferences are any indication). And who wants that? (Oh, but the shining ones are worth it all, aren't they? How I love holding some pages in my hand and thinking, "Oh yes! They've got the gift! What can I do to help?")
I'm not sure how Hemingway does what he does but you can be sure I'm planning on heading down to the book shop to find a copy of The Sun Also Rises, Hemingway's first novel.
While Hemingway doesn't delve into craft, he paints a portrait of a writer's life and what struck me over and over again was that they were a real community there in Paris and each had their part to play and hearing the names:
Ezra Pound, James Joyce, Fitzgerald, Ford, Stein, bandied about like I'd talk about my own friends, made me realize that while we write alone, we aren't lone writers. Or shouldn't be, anyway. In a profession understood by few, we need to stick together, encourage one another, simply be available.
I guess that's not so hard. I've made some wonderful friends along the way, friends who have sweetened the journey and allowed me to feast with them wherever we may find ourselves. You know who you are. And even if you just suspect it's you--be assured it's you too! It's easy to take all that for granted sometime. So let me just say thanks. (I couldn't put all the pictures up. That would take a dozen posts.)
I devoured this book. Sweet, salty and at times a bit bitter. Place it in front of you, savor it and I do believe you won't want to send it back to the kitchen.
Best of all, it caused me to remember my own writing friends and to be thankful for the encouragement they've been throughout the years. A good book will do that sort of thing for you.
lisa
pictures places in no particular order!